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� Some characters in the film are drawn with a clear type preference, whereas in other cases there is strong but conflicting evidence of a character�s type, giving almost the impression of two types superimposed in one person. What effect does this superimposition of two types in one character have on how viewers experience the character?
� What is the effect on viewers� perception of a character when actors are cast according to what appears to be their natural type or, conversely, when they are cast in a way that looks to be against their inborn type?
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